19 July 2010

Inception-Movie Review

Give this a thought...

When you are fast asleep and in a dream state..a person intrudes...starts sharing the dream...and in the process gains access to your thoughts & ideas. Now, what if this person is a complete stranger, a thief, an exceptionally skilled one at that, who with the help of an ally (who can forge his identity and appearance within your dream!!), makes use of the dream space at its most vulnerable moment and ends up phishing an idea you have built over years!

Sounds scary? To some, it might even sound a little foolish as a concept. This is the very premise of  Christopher Nolan's "Inception" starring Leonardo Di Caprio. The aforementioned concept, is termed as "Extraction" in the film. So, then what is "Inception"? It is to use the same dream state to intrude someone's mind and plant an idea! Confusing? This was precisely what I felt like when the movie started rolling. Initially it also sounded like folderol (no.. its not a medicine..means 'foolishness'! learnt this word this week..have to use it somewhere right!)  to me.

But, it is to Christopher Nolan's credit that he makes you believe in such a thought with his astonishing writing, leaving you bewildered by the time the end credits roll.

Nolan's exceptional writing/narrating skills, as most of you would know, came to the fore in the Guy Pearce starer "Memento" (its a different story that it took me 3-4 viewings to get a grasp of things..) . I have also had the fortune to watch his other acclaimed works in "The Following", "The Prestige" and "Insomnia" (Yeah..I am yet to watch is 2 batman films!). Incidentally, the voyeuristic thief in "The Following" was also called "Cobb", which is also the name of the protagonist played by Di Caprio in "Inception".

Plot line/Premise: The basic plot revolves around how Cobb (the extractor) is entrusted (by a Japanese biz bigwig) with the job of planting an idea, in the mind of the heir of a business tycoon, to break up his Dad's multi-billion dollar business. If he successfully pulls of this "perfect heist" he will get to go back to his family in the US and all charges (including one of killing his wife) against him quashed. To accomplish this, Cobb and his team have to travel into a "dream within a dream within a dream"!! Nolan also throws in some concepts like how if someone is killed in a dream they merely wake up from sleep in real life and that 5 minutes in real time is one hour in level one of the dream and 10 hours in level 2!! I will restrict myself from giving away any spoilers here.

Its a maze that you will keep unraveling long after you are finished with the film. For most part, to be honest, I found it difficult to keep pace with the narration and be on the same page with the characters. For this very reason, "Inception" is a must watch, as it challenges the movie buff in you (unlike most films that ask you to leave your brain behind) and takes the movie watching experience up several notches.

Leonardo Di Caprio carries the film on his shoulders, being the only familiar "star" in the film and is first rate. The rest of the cast fit in quite effectively. Use of CG is good and blends in well. Hans Zimmer's score is brilliant in keeping with the mood and pace of the movie.

My Verdict: Go figure out this puzzle! Its a big thumbs-up from my side for this master-stroke in story telling and screen writing. Nolan seems to have set his claims on some coveted prizes for writing, yet again. Hope he gets lucky atleast this time around.

13 July 2010

Aham Brahmaasmi!

Found a video of Vijay Prakash singing "Om Shivoham" from "Naan KadavuL" (I am God). He has sung a few for Rahman including the melodious "Man Mohini" in 'Yuvvraaj' and 'Jai Ho' of course! But I believe this one is in a different league altogether.

When this audio released in Jan 2009 I was hooked to it for about 3 months. A unique composition by Maestro ILaiyaraaja, this one is without a doubt one of my all time favorites. Will write in detail soon as to the reasons. But for now, enjoy this!

01 July 2010

Infinite Joy!

"விரலில் சுதி மீட்டவா?
வரும் இசைக்கு உயிர் ஊட்டவா?
(Viralil Sudhi Meettavaa? Varum Isaikku Uyir Oottavaa?)

எந்தன் கற்பனையில் வடித்தேன்,
விற்பனைக்கு இல்லையே!
உந்தன் கையில் கொடுத்தேன்,
இன்பம் இங்கு எல்லையே!"
(Enthan Karpanayil Vadiththaen, Virpanaikku Illayae! Undhan Kayyil Koduththen, Inbam Ingu Ellayae!)

The above means "Shall I play the shruthi (music) with my fingers and fill the music that comes out with soul? The music that is a result of my imagination is not meant for business. I gave it in your hands for infinite joy!"

One man with a harmonium, who makes music from his staggering imagination and talent, fills it with soul and gives it to us to reminisce and derive infinite joy! 

The first two lines of the above lyric, coz of the beauty of Thamizh, can also mean " Come (Vaa), play the shruthi with your fingers and fill the music with soul!", when the words "Meettavaa" and "Oottavaa" are split as "Meetta Vaa" and "Ootta Vaa". I believe this is how it was meant to be in the context of the film. But when I heard it the first time, I felt as if the Maestro (probably Vaali is the lyricist) was making a statement and hence chose to interpret it as mentioned in the earlier paragraph.

This one is a rare gem for the simple reason that I haven't heard or seen this one before and I believe this one is a composition quite unknown to a lot of his Raaja's fans.

"Viralil Sudhi Meetta Vaa" is from the film "Nandhavana Theru" that had Karthik in the lead and was directed by R.V Udhayakumar. "Velli Nilavae" sung by SPB and Uma Ramanan was a run away hit when this film released and was played over and over again. But the flip side was this brilliant song also managed to eclipse some other brilliant songs in this album.

Apart from "Viralil", this album features some fabulous compositions like "Enna Varam Vendum", "Ramana Venkata Ramana", "ANNiyai Kaattu", "Un Munne Naanum" etc. I am sure we will visit each one of them in the days to come.

Chitra begins "Viralil" quite flamboyantly with the swara singing supported by the flute. The Veena takes it forward as the plea for support gains momentum. I understand that this one is in Sindhu Bhairavi. I leave it to the experts to throw more light on the finer nuances.

The CharaNam is adorned with some awesome swara singing that is sure to leave a goosebump or two and the final aalap, though brief, is a fitting finale.

இசையின் சுகத்தில் உலகம் வியந்து, மகிழ்ந்திட!
(Isayin sugaththil ulagam viyandhu, magizhnthida-meaning "when the world is admiring and enjoying the heart-warming music/composition")
How true!

This way to infinite joy----> http://music.cooltoad.com/music/song.php?id=489660