19 November 2012

Thuppakki - Movie Review

It's been a few years, since I mustered up courage to watch/tolerate a Vijay film ('Nanban' was an exception and was more Shankar driven). Such was the effect 'Azhagiya Tamizh Magan' left on me! At the helm of affairs was A.R.Murugadoss, whose 7-am Arivu was something that didn't suit my palate much either. Enough reasons to be skeptical?!

Egged on by positive comments from a couple of fb friends and with no better films for an alternative, we settled on Thuppakki.

Thuppaakki stars Vijay, Kajal Agarwal, Sathyan, Vidyut Jamwal among others and is the first time Vijay was coming together with A R Murugadoss.


To be fair to Vijay & ARM, this one is far more engaging and entertaining than I expected it to be. To start with, the concept of terrorist sleeper cells and a bunch of army men taking on it when on vacation (homework!) does make for an interesting premise. We also have a parallel track (as always), of the hero and heroine and their encounters which paves way for a few guffaws. Sathyan does his bit in inducing a few laughs and does his part really well, the 'petromax' remark being the high point.

The director manages to keep the screenplay afloat with a careful mix of the afore-mentioned tracks and with the entry of the 'all powerful' antagonist, things only get better. Vidyut Jamwal as the baddie looks all menacing and intelligent, before the climax makes a clown of him.

What really hampers Thuppaakki, are the songs by Harris Jeyaraj. None of the songs make an impact and hamper the flow of the film. 'Poi Varavaa' is the only song that sounded apt, but felt more like remains of a Goutham Menon film. The background score was adequate though and compliments the narrative.

I am told that Santosh Sivan is the cinematographer (he even makes a cameo appearence  alongside the director in the "google google" song.. or was it the other one?!). One wonders whether the acclaimed lensman has been used to his potential!

Another talent, whose potential the director has failed to tap is, Jayaram. I fail to understand why Jayaram is in the movie, in the first place. Sad to see such a colossal talent being reduced to a caricature. Jayaram needs to really think about his choice of films in Thamizh.

The climax is a bit of a let down and ARM loses a trick or two in order to please Vijay's fans. Orthopaedic surgeons have a few lessons from Vijay here!


ARM does touch a few emotional chords here and there with the 'army-family photo-sacrifice' sentiment.

Kajal Agarwal looks pretty and does her part(!) satisfactorily..Hee hee..

The screenplay does have its share of loopholes and moments (the car change sequence before the climax for instance) that drag the movie down, but its pacy enough to sustain one's interest.

Coming to Vijay, such roles are a cake walk for him and he does well in a tailor made role. There is nothing that really stretches his abilities (acting or otherwise), but that takes nothing away from his performance as Jagadish. Save for a minor hiccup in the climax, he manages his lines in hindi pretty decently as well.

My Verdict: Its a safe 'DeepavaLi Thuppakki' for Vijay, his fans and Murugadoss. Decent watch this.

25 September 2012

Thilakan-End of an Era!

One of Indian cinema's supreme talents, actor Thilakan, breathed his last today. The man who breathed life into every role that he played (despite the multiple politics that he was in the middle of) leaves behind quite a number of memorable characters that will be etched in the minds of Malayali's and movie lovers for long.

One of those roles, that remains inimitable is that of Thampi, a retired lawyer and doting grandpa, who takes the ultimate decision when his grandson dies accidentally, in the critically and commercially acclaimed film, Moonaam Pakkam.

Written and directed by the legendary P.Padmarajan, this movie had some outstanding songs tuned by Maestro ILaiyaraaja.

'Thaamarakkili Paadunnu' is a famous track from this film.

But the song that is as legendary as Thilakan himself, "Unarum Ee Gaanam"-where the grandpa is shown, reminiscing the time he spent with his grandson, is my humble tribute to this genial actor.

Thilakan-during his early theatre days
Beautifully picturized, the song starts with Thilakan browsing thru a photo album, as the piano leads you to the flashback (notice how the piano resembles a toddler's walk!) and the memories come flooding.

G.Venugopal's voice is an apt choice as he glides through the song with utmost ease. Watch out for Thilakan's reaction when the assistant (played by another great talent Jagathy Sreekumar) puts his hand on the furniture being made. The doting, possessive grandpa stands tall!


The humming in the first interlude showers affection as the watchful grandpa oversees the 'apple of his eye' swim.

The second charanam shows the pain as the grandson is separated from the grandfather. Time passes by. His wife is no more now. 

The grandson is grown up (Jayaram) and the bespectacled grandpa is awaiting his return. As he glances thru the greeting cards and letters from his dear 'Pachu', written to his one and only 'Appooppan', tears roll down his cheeks..

An emotional avalanche accentuated by outstanding music and phenomenal acting!

Unarum Ee Gaanam
Unarpiccha Oru Nadan!

RIP Thilakan!





21 August 2012

மன்னிப்பாயா?

என்னை மன்னிப்பாயா?
கொஞ்சம் கடினம் தான்!
என்னவெல்லாம் செய்திருக்கிறாய் எனக்காக!
உன்னைப் போய் காயப் படுத்திவிட்டேனே!

உன் மீது நான் சாய, 
என் கன்னம் நீ தீண்ட
எத்துணை இரவுகள், 
எத்துணைப் பொழுதுகள்!

நான் முதலில் காதல் சொன்னது உன்னிடம் இல்லை.
பின்னாளில் சொன்னது உனக்கானதும் இல்லை.
என்றாலும், என்னைப் புரிந்து கொண்டு
எனக்காய் எத்துணைக் காதல் தூது சென்றிருப்பாய்!

என் காதலுக்கு நீ தானே சாட்சி!
நான் முதன் முதலில் என்னவளிடம் பேசியதை
உடனிருந்து கேட்ட ஒரே ஜீவன், 
நீ அல்லவா!

நீ எனக்காய் கற்றுக் கொண்டு பாடிய 
எத்தனையோ பாடல்களில்- நான் 
கண் அயர்ந்திருக்கிறேன், 
புண் ஆற்றி இருக்கிறேன்!

வழி தவறிப் போய் தவித்த போதெல்லாம்
எனக்கு சளைக்காமல் வழி காட்டினாயே!
உன்னிடத்தில் நான் எத்தனையோ சொல்லி இருக்கிறேன்
ஒரு முறை கூட நீ சலித்துக்கொண்டதில்லையே!

எத்தனை நாட்கள் நீ எனக்காய் ஒய்விழந்திருக்கிறாய்!
உன் நலம் பொருட்படுத்தாது, கொதிக்கும் காய்ச்சலிலும்
எத்துணை முறை எனக்காய் அலைந்திருக்கிறாய்..
பின் அணைந்தும் இருக்கிறாய்!

என் கண்ணே! இன்று உனக்கு பக்கவாதம்!
தொட்டால் உணர்ச்சியற்று கிடக்கிறாய்!
உன்னுள் உயிர் இருப்பது தெரிகிறது!
என் உயிர் மட்டும் வலிக்கிறது!

நான் இத்துணை கொடுமை செய்தும்
நான் சொன்னதெல்லாம்,
எனக்காய் சேர்த்துத் தான் வைத்திருக்கிறாய்!
உனக்குள் கோர்த்துத் தான் வைத்திருக்கிறாய்!

கல் நெஞ்சன் நான்!
இன்று கண்ணீர் வடிக்கிறேன்.
உன்னைக் காயப் படுத்திய என் கையின்
நகக் கண்ணிலும் சேர்த்துத்தான்!

என்னை மன்னிப்பாயா?
நான் கோபத்தில் காயப் படுத்திய என் இனிய கைப்பேசியே!
காயப் படுத்திய வருத்ததுடன், 
உன் அருமையை உணர்ந்த,

நான்!


My ode to my Nokia 5230, whose touch screen display is damaged due to a single moment of madness from yours truly.. :)